Archives for posts with tag: dream
Swayambhunath Temple, Kathmandu

Swayambhunath Temple, Kathmandu

(Two weeks have passed and I finally feel as if my brain cells are lining up again. At least, in a more American, Pacific Standard Time, conventional way. I have been feeling as if I were driving in the fast lane with everyone shooting past at 75mph, my gear shift broken off in second and I’m left maxing out at 30mph. After stumbling around wondering what day it was, and mumbling “amazing” over and over again like a mantra, I am starting to feel as if I am rising from the depths of another world, still somewhat floating and disconnected, but surfacing back into familiar territory. 

This is my attempt to put into words what there may be no words for. This is my leap at calling back a part of myself that will always remain behind.)

Along the Way, Kathmandu, Nepal

Along the Way, Kathmandu, Nepal


Maybe it was for the best that the trip started out in the most populated and crushingly chaotic city in Nepal. Maybe it was no accident that after a red-eye flight to NY, three non-stop swirling days of intense emotions and conversations with the ghosts of my childhood while I helped bury my grandmother, followed by a layover in a surreal landscape with red chalky dust sprinkled over sparkling silver buildings and a lashing Arabic tongue, that I am dropped onto the bustling streets of Kathmandu. I am met with a city piled high with neatly stacked textiles and copper pots, rows of marigold necklaces and strewn rotting garbage.


Roadside View, Kathmandu, Nepal

Roadside View, Kathmandu, Nepal

The air is thick with diesel fumes, alluring spices, burning garbage and the occasional assaulting whiff of sewage. Any residual melancholic thoughts that I have are shoved to the back of my being as car horns, the melodic caterwauling of music and police whistles jab their way in. It is the morning of our first day in Nepal and tomorrow is Dipawali, the Hindu Festival of Lights. In addition to the standard flood of tourists, shopkeepers, schoolchildren, cows, dogs, monkeys (monkeys?!?) and chickens making their way along the streets, extended family members are returning home, and everyone must stop to pick up festival supplies. Colors bleed out of the stalls and doorways. Rickshaws, scooters and mopeds ding, beep and honk as they whiz past close enough for me to feel a breeze on my skin. Kathmandu is a white water stream of demented consciousness and I am riding its mind.

8:00am Kathmandu Bazaar, Kathmandu, Nepal

8:00am Kathmandu Bazaar, Kathmandu, Nepal

We start at the Bazaar in the center of Kathmandu in order to get the full-frontal of what a city enmeshed in festival furor looks like. Movement in this city, whether it is the constant parade of people on the streets and in the alleys, or the transports that cough their way around town, is a study in controlled chaos. As far as I can tell there are no street signs, no traffic lights and yet everyone makes their way to their destination. It reminds me of standing on a bridge as a child and tossing sticks and leaves into the torrent of a bursting springtime creek below. Unseen currents carry the objects here and there, with some getting caught in invisible whirlpools in the center, but eventually everything makes its way downstream.

Diwali Necklaces, Kathmandu, Nepal

Diwali Necklaces, Kathmandu, Nepal

Storefront Symphony of Color, Kathmandu, Nepal

Storefront Symphony of Color, Kathmandu, Nepal

Bazaar Colors, Kathmandu, Nepal

Bazaar Colors, Kathmandu, Nepal

We meander and pick our way past open stalls that spill out wares, as shopkeepers cautiously eye the passersby. Some sellers are engrossed in stitching together flower necklaces for the festival, while others are hawking their best deals. Saris and traditional Nepali menswear hang from intricately carved entranceways, along with fleece pants decorated in Western world cartoon characters, t-shirts that say ‘I (heart) Nepal’ and hilariously misspelled American knockoffs such as “Galvin Klein.”  I try my best to pay attention to my group so that I don’t get lost, but I can’t help but wander around gaping wide-mouthed at the spectacle before me.

Prayers Over Incense, Kathmandu

Prayers Over Incense, Kathmandu

Pigeon Temple, Kathmandu, Nepal

Pigeon Temple, Kathmandu, Nepal

Our guide Sahadev (“Dave”) gathers us like the flock of chickens we are and directs us into a curved archway sandwiched between a mountain of copper pots and a curtain of spangly saris. We emerge through the darkened portal blinking with wonder at a spectacular hand-carved Buddhist pagoda-style temple looming above us, a handful of worshippers circling the sanctuary, and a stone-laid ground awash in the constant ebbing tide of a sea of pigeons.

Pigeon Square, Kathmandu

Pigeon Square, Kathmandu

Having lived in both Boston and NYC, I’ve strolled down many alleyways and through my fair share of random doorways, but this hidden celestial outpost was a shock to my urban consciousness. How can Buddha just pop up any old place? Just feet from a man prostrate before a statue of the Buddha is another hawking plastic necklaces. But isn’t that the lesson? Doesn’t The Divine exist everywhere and shouldn’t we be looking in all the old familiar places?

Buddha Celebrates Dipawali, Kathmandu, Nepal

Buddha Celebrates Dipawali, Kathmandu, Nepal

(‘What is the name of this magical temple?’ you must be wondering. And here we have the conundrum of the hosted overseas tour. I spent so much time trying to absorb and photograph, taking for granted the luxury of roaming place to place without having to research or map anything, that I barely ever took notes. Now, weeks later, I can remember the feel of the hand-carved prayer wheel beneath my fingers as I made my way in reflective circumference, but I have no name, no dates, nothing in terms of recorded knowledge that will help me share anything but the ethereal with you. And maybe that is the only way Nepal can be shared.)

Honoring Ma Durga, Durbar Square, Kathmandu, Nepal

Honoring Ma Durga, Durbar Square, Kathmandu, Nepal

Tourist Break, Durbar Square, Kathmandu, Nepal

Tourist Break, Durbar Square, Kathmandu, Nepal

Durbar Square Courtyard, Kathmandu, Nepal

Durbar Square Courtyard, Kathmandu, Nepal


From the Bazaar we move on to Durbar Square and Hanuman City, the location of the old royal palace and two large temples in tribute to Hindu deities, Durga and Hanuman. As we stop every few feet to discuss architecture, art or the reality TV-like history of the last royal family in power (disgruntled children, illicit love affairs, murderous family members… watch for it to hit cable soon), I notice well-dressed men on their knees in the square, digging out the cracked and crumbling mortar between tiles, their hands, resembling crows feet, curled around tiny sticks, work diligently, reverently to restore what was deteriorating. I try to remember when the last time was that I saw anyone using such crude tools to complete such an enormous task by hand. Or dressed so formally for such a dirty and unassuming chore. I cannot.

Durbar Square, Kathmandu, Nepal

Durbar Square, Kathmandu, Nepal

Balancing Work, Durbar Square, Kathmandu, Nepal

Balancing Work, Durbar Square, Kathmandu, Nepal

Tourists trickle into the square stumbling about like foreign and confused paparazzi. They mostly stare at the workmen dangling precariously on handmade bamboo scaffolding 30 feet up in the air. One woman, standing almost dead center in the square, digs out her recent purchase: a Nepali singing bowl, an instrument designed to produce vibrations meant to soothe and heal the human spirit. With the plastic shopping bag tucked under her arm, she cradles the bowl in one hand, the striking mallet in the other. Tapping the bowl over and over again, a look of wonder comes over her face and she becomes absorbed in the vibration. Despite the fact that she is standing in a public square, surrounded by a slew of people, this seems to be the most natural and expected thing to do. I stand as close to her as I can get without invading her privacy and seeming like I am about to mug her. I close my eyes and soak up the moment… the sound, the light, the energy of the square… like a sponge. (I’m grateful there is no picture of my face in that moment.)

Alchemy Meets Electricity, Kathmandu, Nepal

Alchemy Meets Electricity, Kathmandu, Nepal

From Durbar Square we move onwards to lunch in a restaurant and B&B tucked back off of some alleyway that I try to memorize but fear I shall never see again. At the head of the alley, a group of men of varying ages stand around a cascading tangle of electric wires, some with exposed ends, watching one individual as he picks up one and touches it to others. Rather than a property of science, electricity still seems to be a matter of alchemy in Nepal. Electric power is illusive. There is no system determining when it is available and when it is not, or even where it can be accessed regularly. In addition to a lack of consistency, there seems to be a prevailing attitude of “Why the Hell Not” as the configuration of wires about the city is reminiscent of abandoned ice picks on the side of Everest.

As we pass, a couple of the members of our traveling group, specifically a retired engineer and a retired director of OSHA (Occupational Safety and Health Administration), briefly pause to watch… fascinated and horrified.

Lunch is an assortment of traditional Nepali light fare—momos (similar to Japanese shumai or Chinese potstickers, are stuffed with a ground chicken, heavy on the cilantro and a ‘momo masala spice’, served with a tomato-based sauce featuring cumin and ginger), noodles with vegetables and a sampler platter of tastes of Nepal, including a vegetable curry, rice and a mint sauce.

This is the first real exposure to a Nepali meal for my lifelong friend and now foreign traveling companion Elena and myself. The Cliff Bars and tea the night before and the 12′ resort breakfast buffet that morning (featuring everything from yak cheese to waffles) really didn’t count. Prior to that we’d had a questionable experience with lamb wraps on our Fly Dubai flight into Kathmandu (Eating lamb should have been my first warning sign for how out of my mind I was. For a woman who barely eats anything that walks, especially if she hasn’t vetted the farmer first, this was a bold move on my part. Something about the cardboard standup signs set on the seats of the first row of the plane charging $35 to ride in their “first class” section said to me, “You go right ahead and enjoy that tasty adventure!”) and were now ready to take on some authentic food. So, we did what any overzealous and excessive American would do… we order it all.

Lunch is an awkward hour of trying to consume an irrational amount of food for two people in a land where food is lacking, while simultaneously presenting ourselves to our trip-mates, none of whom grossly over-ordered as we had. Faced with the notion of wasting food in a developing country, we force ourselves to finish it all (damn those lamb wraps!) and even sample the bowls of red condiment left on our table. (We quickly realize that this was ketchup and completely irrelevant to any of the food that has been served. The only reason it is there? We’re Americans.)

The whirl of recent events, moving physically across space and time to get to the other side of the globe, the frenetic nature of my surroundings and now the unreasonable amount of food in my stomach is getting to me. I’m losing the ability to move logically from one moment to the next. Our guide gathers us again. Time to go to Patan City.



I have a craving. Not a craving for chocolate (that’s always there) or to go on a shopping spree (that’s never there), but a nagging little notion that wet willys itself into my ears and eyes and brain matter.

I want to paint.

Wanting to paint isn’t all that new for me, I’ve come to find a brush in my hand now and again, but this isn’t a desire to sit and just spill some color around until I’m satisfied and/or bored. This is much more complicated, and specific, and frankly, terrifying.

I want to paint the face of God.

Where does one start with a feeling like that? Where do you look for a starting point? Where do you even find the nerve?

One day in meditation, I found myself thinking of starting small, like just trying out the eyes. I can’t even draw an acceptable eyebrow, yet here I am trying to wrap my head around painting God’s eyes.

Who am I kidding? I must be delusional.

And yet, I remember this image that I saw scribbled onto a bathroom wall in chalk this past summer. It struck me so much that I took a picture. I went looking for it tonight, and only when I located it did I remember that there was text underneath. Text, as I recalled, I didn’t understand the meaning of until this moment.


All eyes are God’s eyes. All creations are God’s creation. All art is an expression of God, and therefore, all art is true and perfect and good. It doesn’t matter what I paint, as long as I do it. The mistake isn’t in the lack of form or style, the mistake is in believing that creative expression is anything less than divinity made manifest.

I think about the artist that took the time to sketch this upon a simple bathroom wall. I think about the spark of inspiration within that lit up, causing her (I was in the woman’s room after all.) to place such a divine and odd message in a truly humbled environment, possibly even causing her to wonder as to it’s meaning. And I think about how this pebble in a pond rippled out to inspire me, months later, to believe in my own unborn creation enough to overcome doubt and begin an inspired quest.

How can we deny that creativity, in any form, isn’t a direct call from Upstairs?

Guess I’ll be buying some paint.


Do you remember a time in your life when fear just never entered into the picture? The summer I turned five years old, we visited a friend’s pond; a murky hole in the ground that was teeming with soupy rich greenness. Being upstate NY in July, it was beastly hot and humid, so submersing in more moisture was surely the best answer for finding relief. We were told that the only way we could enter the water was on a float, because it was home to several snapping turtles. (Yeah, looking back upon that concept really colors my childhood in a whole new questionable hue.) Not really understanding what a snapping turtle was, or how that possibly could be a bad thing, I eagerly accepted a ride sitting upon my teenage friend’s back, on the float. (I’m not talking the sturdy water crafts of today that are tied off to docks and boats across upstate NY. This was 1977. Half deflated and covered with Pabst Blue Ribbon emblems, this raft was less floatation device and more flagship for a drunkard’s folly.)

We paddled out towards the middle, leaving behind the oppressive climate of the shore, and the casual concern of our parents.

About 10 feet offshore, the raft tipped over. Looking back upon it now, I’m not sure what is more surprising, the fact that no one anticipated this or that I was in the middle of a snapping turtle infested swamp, practicing Cirque du Soleil-like feats and did not know how to swim.

(Seriously, I need to take a minute here. This is the first real good think I’ve donated towards this memory. Where in the Hell were my parents? I know it is the 70’s and all, and surely I don’t expect a helmet or safety harness, but my God!  Would it have killed them to strap one of those inadequate styrofoam eggs to my back at least?)

As I sank to the bottom, I remember feeling only one thing. The sounds around me went silent and as I looked up towards the green dappled surface, and felt the sweet coolness of the water around me, I felt completely at peace. I wanted to stay there below the surface, bubbled in this womb of nature, but before I knew what was happening, I was being yanked to the surface where heat, blindingly bright light, and shrieks of terror reclaimed me.

As children, our innocence prevents us from being swallowed by our fears. Often times we aren’t afraid because we don’t know any better. Then as we walk through the world, we encounter obstacles that tend to come with the stories, anxieties and failures of others, which then become fears of our own. If only we can remain in that innocence, and simply view each experience, each obstacle, as new and separate from every other moment, fear wouldn’t stand a chance.

Yesterday, I brought the nine year old and the six year old to an indoor rock climbing gym for the first time. Imagine a warehouse sized space with multiple two and a half story high walls built out in various gravity taunting formations, dotted with a series of shaped holds that appear to be made from Play Doh. In the middle of the gym was a structure meant to resemble a boulder, standing 15 feet tall.

As we entered the space, the palms of my hands instantaneously began to perspire. Despite having spent time in the quarries of Massachusetts and the rock formations of New Hampshire climbing in my youth, I could feel my pulse quicken and my breathing shorten.

My daughters, who had never seen such a spectacle, were mesmerized. To them, I couldn’t sign the documents declaring them able to throw themselves to the wolves of gravity fast enough.

Within minutes of donning the equipment, the nine year old had bouldered her way (read: climbing guide rope free and thereby giving her mother another reason to drink on a Thursday afternoon) to the top of the 15 foot structure. The six year old was complaining that she wanted to remove her safety guide line (the belay) because the tension of the automated rope was competing with her tiny sparrow-like frame, and preventing her from being able to get close to the wall.

For them, there was no hesitation, only excitement. For me, there was a litany of emergency room menu items scrolling through my head. I tried my best to keep my anxieties to myself, and gently guide as opposed to aggressively scream. I did see my six year old pause once, as I reminded her when she had bouldered her way three feet above my head, that there was no guide rope and I couldn’t come get her down. She retreated down the wall, only to chalk up her hands, immediately remount and make her way the full five feet above my head so that she could loudly declare me wrong from her perch.

Recently, The Universe was kind enough to call me out on my nightly prayer of wanting to be shown my path. Apparently there is this notion that I should be writing a book. To further back up this cosmic plan, a famous and well documented journalist has been placed in my circle, near enough for me to reach out to, ask for assistance, and firmly solidify this next evolution of Mikko Cook.

My palms are sweating, my pulse is racing and I’m finding it difficult to breathe.

Thanks to the lesson of living in oblivion from my children and my own youth, instead of hitting ‘ignore’ when I see The Universe pop up on my caller id, I’m going to set aside all of my ‘what ifs’ and my ‘remember THATs’ and take the call. I’m going to take this new experience for what it is… new and to be experienced. Sure there is so much that can go horribly wrong (don’t think I haven’t been calculating it all out since I took that initial call), but now what if I pretend that I don’t know otherwise, that humiliation and rejection are like snapping turtles to a 5 year old… something that exists, nothing more.

Guess it is time to dig out my chalk bag and begin my ascent.


Recently I was rejected by an online journal after I had submitted a piece for consideration. After much whining and foot stomping (on my part), I passed it along to a few friends for critique and then sat down with my own scalpel. Seems that the journal in question wasn’t all that insane and the piece did indeed need a little more meat on the bones. I scraped around inside my soul and came up with more batter, perhaps even some tasty morsels that should have made the first batch. I submitted and then waited… and waited… and waited.

I never heard from them again.

Here is a little advice to all of the editors out there who sit behind an inbox filled with the hopes and dreams of us typing monkeys, trying our damnedest to recreate our version of Shakespeare’s plays.

1. Please do us monkeys the favor of being consistent and clear about what your submission guidelines are. We are monkeys and we get easily confused. A simple email address, format for the submission, any requirements for attachments and a deadline is all we really need. If you would like to include your standard stylebook, that would be greatly appreciated, and would most likely make your life easier. What makes us bang our heads on the keyboard and fling feces at each other is when you have three different website links going to three different sets of instructions as to how to submit to your publication.

2. We appreciate you. We realize you probably have to slog through a football field of donkey crap each day just to emerge with a golden nugget, hoping it isn’t just a polished turd. We get it. We understand that as a writer, rejection is a part of our life now and without rejection we’ll only ever create polished turds. So go ahead, reject away! However I would ask that you do the favor of at least reading a good portion of the piece before rejecting so that the standard response sent out actually applies. If I’m writing a piece on footballs, please don’t tell me that you can’t possibly use one more article on palm trees.

3. Be honest. Isn’t that what editing is all about? Don’t tell us that you’d love to take another look if you really wouldn’t. We are all adults (well, according to our birth certificates anyway), and need to handle straightforward rejection without taking it personally. If you tell me that you’d be happy to look over the rewrite, then I don’t hear from you ever again, this really isn’t any different than that crappy guy I dated in college that promised to call me after he returned from spring break and never did. I’m left bitter and you look like a liar. Come on, we’re both better than that.

4. We realize that there are a lot of us monkeys out here, and we are producing a lot of polished poo, so if you’d like to give us helpful tips for revision, be sure to clearly state that these are great general tips and try not to infer that these were meant specifically for our submission. Again, we know that you’d like to let us down gently, but we’re monkeys and we need to be hit over the head. Don’t send me revision tips if you don’t really want my style of crap.

5. Finally, just be kind and courteous. I know we’re monkeys. I know we eat with our hands and have bad hygiene. But we are have feelings and thumbs and aren’t that different from you. ‘Please’, ‘thank you’ and the consideration of a response (even a standardized short but final one) would go a long way towards developing our relationship as future editor and writer, and more importantly is some of the best marketing for your publication.

Thank you for the job that you do. Without editors our literary world would be a steaming cesspool of blather. You stand at the edges with your industrial sized strainer, sifting to find the gems of our madness. We love you and appreciate you. We just want to remind you that once upon a time, on the evolutionary scale, you were a monkey once too.

GRRRRRR!  I hate that when I put myself out there, and let go of the side of the pool, that sometimes, every time there is a point where I forget that I don’t know how to do this exactly, that I’m in some sort of environment completely foreign to me and I get water up my nose, and it burns, and pisses me off.

I hate feeling judged.  I hate feeling less than.  I hate hating the people that I feel are judging me and making me feel less than.  I hate making me feel less than.

I submitted a piece for publication and received a very lovely, albeit standardized, response telling me that my efforts needed more work.  A piece, which I giggled over for the 2 hours it took me to write, was less than what they were looking for and that perhaps I needed to do a little more soul searching.

In that moment, I wanted to firebomb their offices, shake their kombucha bottles and let the air out of their bicycle tires.

How dare they?  How dare they, with their irreverent articles on mindfulness and living out your purpose, dare to tell me that my version of how I am doing those very things, isn’t good enough?  That I need to try harder?  That, perhaps, I didn’t get it just perfect straight out of the gate?  That I am not loved and adored on the first try, possibly even the second or even third?

Don’t they know I’m an eldest child?  Don’t they know that I’ve been working at perfection my entire life?  Don’t they realize that if I can’t get this right, I don’t know who I am or what I’m supposed to be doing?  That maybe nothing I’ve ever done has been right?

Don’t they know that doing what you love is supposed to be easy, and that means no proofreading, edits or re-writes?

F. U. editors of irreverent blog full of writers whose lives I admire and prose I enjoy!  You want me to work for this?  Fine.  Get ready to be suffocated under the weight of all that is mindful, insightful and brimming with juicy soul goodness!  I accept your challenge to prove my gift and write a better, more meaningful and poignant piece!  You’d better run out to Whole Foods and pick up the economy sized box of bamboo Depends, because you’re going to be laughing so hard you’re going to fill your Toms with pee!  I’ll show you how meaningful I’m about to make this life.

Now I’m going to go meditate so hard it will hurt.



My coffee mug has a picture of a black dog on it.  Not just any black dog, but the iconic image from The Black Dog bakery and cafe in Martha’s Vineyard, Massachusetts.  I drink coffee, tea and even the occasional red wine in this mug.  I love that it is old school, diner shaped, porcelain and that it is heavy enough to feel like I’m drinking something substantial.

A friend gave me this mug over a decade ago when she was embarking on her own west coast adventure.  It was of no use to her any longer.  She wanted to untie the bow lines and this mug was left behind.  She has since returned to the east, but has most likely forgotten about the cup.

Looking at the worn but famous type, I remember a visit to the bakery. I was on my way off of the island, hoping to never return as I had just experienced jail as well as my first in person hurricane, all at the tender age of 20.  The memory makes me smile.

This image on the mug is the same image that I once drew on the side of a canoe, the second major expenditure that my then boyfriend, now husband, made.  It represented our love of the island, the ocean and our adoration of our first major expenditure, our chocolate lab puppy, Graham.

That dog has since passed, but the mug remains.  Friendship, mischief, love… how can a simple coffee mug hold all of these things?

Because we attach our emotions, our energy, our stories to our stuff.

It was amazing to me, as we began the process of moving ourselves to California and determining what to get rid of, how heavy my stuff became with the memories and emotions that they were a part of.

At our wedding reception, my husband and I sat in two unique, red chairs – one velvet, one faux leather – like a king and a queen.  The chairs were a last minute addition to a very eclectic, self designed backdrop.

On the day that we walked about our house, deciding what to throw away, my husband immediately offered up the chairs – one broken so badly only the cat was able to still use it, the other forgotten all but as a depository for unused blankets.

“You can’t get rid of our wedding chairs! That one was my wedding gift to you!”

(I had found the red faux leather one on the side of the road, cleaned it, repainted it, and offered it up as a token of my undying love (and limited financial budget) to my betrothed.)

“Yeah, that chair is horrible to sit in, but we can keep it of you love it.  You only get to keep one.”

And there it was.  Those chairs were my wedding day, my love for my husband, my need to feel unique and artistic.  To me, they weren’t chairs, they were a part of my identity, a contrived one, but still a part of me.  To him, they were just chairs, mostly useless and uncomfortable.  To him, they were furniture.

Over the months before our departure, I learned a lot about my relationship to my stuff, and how I create my identity through my things.  We all do it, even my husband.  (Right now, he’s wandering back and forth in the living room debating exactly what is the right positioning for our artwork… all symbols of our artistic sense and creativity.)  I did fight for one chair, and it wasn’t the one I refinished.  It would have been easy to throw some sort of tantrum around my gift to him vs. his love for me… but in realizing that it was just furniture, not a love token, I was able to let that go.  What was even better was that the chair went to our newly married friends who had attended our wedding and held the memory of that day for us. There were thrilled to add this chair to the budding interior of their own home.  In some way, we were passing on the love of our marriage to theirs.

I am learning that I am not my things.  By attaching myself to my material possessions, I am only weighing myself down with the past and a contrived version of who I really am.  If my arms of full of my stuff, I have nothing left to reach out with and grab my dreams.

Yes, in addition to a handful of things, I still have this mug and I still have that one chair.  I negotiated a full reupholstery of the chair, complete with brand new peacock blue tufted velvet.  I sit in it now and marvel at how regal it feels, even in a simple living room.

The mug still holds hot coffee and a few memories.  If it broke tomorrow, I’d be frustrated, but not heartbroken.  My friend, my mischief and my dog will always be a part of me no matter who I choose to be.

winterforestWe are a few days and several hours in the countdown until departure to Guam. I have chores and errands that shoot randomly across the screen of my mind, like passing cars on a busy highway. ————- water the plants —————

———- mail out kid’s thanks yous ——————– pack Benadryl ———–

I try to catch them and stuff them somewhere safe, like catching fireflies in jars, but they are fast and I’m easily distracted. This morning, as we were getting children ready for the bus, I found myself digging out sun hats and considering sunglasses options for a 5 year old. Luckily, the girls made the bus with their more appropriate winter woolens instead.

There is a deeper, darker thought that surfaces these days, one that overtakes my usual neurosis about losing camera bags and blizzards delaying our flight. What if I don’t want to come back? What if, when standing in the warm sun, looking out over a sparkling azure ocean filled with a rainbow of fish, surrounded by a lush green landscape, my spirit breaks free and I crack and out oozes my resolve and my strength and I am unable to climb onboard that plane that carries me back to a land frozen under ice and snow and obligation?

————— clean out the fridge ————————————————

——————————————- call the plow guy ———————-

I guess we’ll just wait and see.